%% DanceList -- tunes for the dance
%% Note:  tempo markings are for MIDI reference, really

X:1
T:Off She Goes 
C:Trad, Ir. (after CW)  
M:6/8
L:1/8
Q:3/8=116
K:D 
 G |: F2 A G2 B | ABc d2 A | F2 A GAB | AFD E2 D | 
  F2 A G2 B | ABc d2 e | fed g2 f |1 edc d2 G :|2 edc d2 g |
 |: faf def | gbg e2 g | faf def | ecA A2 g |
   faf def | gbg e2 g | f2 d g2 f | edc d3 :|

%%%%  From memory, after Cathie Whitesides.
%%%%  -- eric  10/02/00

%%%%  See Chorus.abc for notes on construction

X:2
T:Swallowtail Jig
C:Trad, Ir. (after CW)  
M:6/8
L:1/8
Q:3/8=116
K:D 
 EF |: GEE BEE | GEE BAG | FDD ADD | dcd AGF | 
	GEE BEE | GEE B2 c | dcd AGF |1 GEE E2 F :|2 GEE E3 |
  |: Bcd e2 f | e2 f edB | Bcd e2 f | edB d3 | 
   Bcd e2 f | e2 f edB | dcd AGF | GEE E3 :| 

%%%%  From memory, after Cathie Whitesides.
%%%%  -- eric  10/02/00

%%%%  See Chorus.abc for notes on construction

X:3
T:Paddy in London (aka Mug of Brown Ale)
C:Trad, Ir. (after CW)  
M:6/8
L:1/8
Q:3/8=116
K:G 
 g2f |: eAA fAA | gfg age | dBA G2 A | B2 A Bcd |
 eAA fAA | gfg age | dBB gBB |1 ABA A2 f :|2 ABA A2 e |
 |: efg a2b | aba age | def g2a | gag ged |
 efg a2b | aba age | dBB gBB |1 ABA A2 e :|2 ABA A2 f |

%%%%  From memory, after Cathie Whitesides.
%%%%  Fixed up to emphasize the pickups.  The opening pickup
%%%%  is much stronger than the pickups during the tune (there's
%%%%  more time), but the pickups during the tune are very important.

%%%%  The key is A "modal";  the F# is necessary.

%%%%  -- eric  10/09/00

%%%%  See Chorus.abc for notes on construction

X:4
T:Bonaparte Crossing the Rhine
C:Trad.
M:C|
L:1/8
Q:1/2=116
K:D 
 F2 G2 || A3B A2 F2 | A4 d2 e2 | f3e f2 a2 | d4 d2 c2 |
 B3 c d2 B2 | A2 F2 D2 F2 | E4 E3F | E4 F2 G2 |
 A3B A2 F2 | A4 d2 e2 | f3e f2 a2 | d4 d2 c2 |
 B3 c d2 B2 | A2 F2 E2 F2 | D4 D3 E | D4  d2 e2 ||
  f3 e f2 g2 | a4 A4 | B3A B2 c2 | d4 z2 A2 | 
  B3 c d2 B2 | A2 F2 D2 F2 |  E4 E3 F | E4  F2 G2 |
 A3B A2 F2 | A4 d2 e2 | f3e f2 a2 | d4 d2 c2 |
 B3 c d2 B2 | A2 F2 E2 F2 | D4 D3 E | D4  F2 G2 ||

%%%%  An old standby, from memory, but the version is very standard.
%%%%  From Cathie:  very important to start with a pickup note.

%%%%  See Chorus.abc for notes on construction

X:5
T:Rocks of Brae (aka March of the Clans)
C:Trad, Sc.  
M:4/4
L:1/8
Q:1/2=116
K:Em 
P:A
 B,2 | "Em"E3 D E2 F2 | "G"G3 F G2 A2 | "Em"B4 "C"e4 | "G"d2 B4 A2  | 
 "G"G3 F G2 B2 |  "D"A2 F2 D2 E2 | "D"F4 "A"E4 | "Bm"D2 A,4 D2 | 
 "Em"E3 D E2 F2 | "G"G3 F G2 A2 | "Em"B4 "C"e4 | "G"d2 B4 A2  | 
 "G"G3 F G2 B2 |  "D"A2 F2 D2 E2 | "Bm"F4 "B7"E2 D2 | "Em"E3 z e2 d2 ||
P:B
 "Em"B2 e4 e2 | e4  d2 e2  | "Bm"f4 e4 |  d2 B4 d2 |
 "D"A3 B A2 B2 | d4 d2 e2 | "D"d2 B2 A2 B2 | "Bm"d4  "B7"B2 A2 |
 "Em"B2 e4 e2 | e4  d2 e2  | "Bm"f4 e4 |  d2 B4 A2 |
 "G"G3 F G2 B2 | "D"A2 F2 D2 E2 | "Bm"F4 E2 D2 | "Em"E4 z4 ||


%%%%  Another old standby, from memory, via V.F..
%%%%  The rhythm is bouncier than it appears here;
%%%%  liberties may be taken with the dotted eighths,
%%%%  so that the plain quarters have more effect
%%%%  (every note punchy)

%%%%  This tune would be great with a harmony part.

%%%%  See Chorus.abc for notes on construction

X:6
T:Mairi's Wedding
C:Trad, Sc.  
M:4/4
L:1/8
Q:1/2=116
K:G 
 E2 |: D3D D2 E2 | G2 A2 B4 |  A2 G2 E2 G2 | B2 A2 Bd3 | 
  D3D D2 E2 | G2 A2 B4 |  A2 G2 E2 C2 | D4 D4 :| 
 |: d3e d2 e2 | d2 c2 B4 |  A2 G2 E2 G2 | B2 A2 Bd3 |
  d3e d2 e2 | d2 c2 B4 |  A2 G2 E2 C2 | D4 D4 :|

%%%%  An old standby, from memory.
%%%%  It's important to get those Scots snaps (bars 4 and 12).
%%%%  From Cathie:  very important to start with a pickup note.

%%%%  See Chorus.abc for notes on construction

X:7
T:Spootiskerry
C:SOCAN, Sc.  
M:4/4
L:1/8
Q:1/2=112
K:G 
 |: G2 DE GDEG | DEGA B2 AB | G2 DE GABd | eged B2 AB |
    G2 DE GDEG | DEGA B2 AB | g2 ed edBA |1 B2 G2 G2 DE :|2 B2 G2 G2 ef |
  |: g2 ed ed B2 | BABG E2 DE | GABd eged | B2 A2 A2 ef |
  g2 ed ed B2 | BABG E2 DE | GABd eged | B2 G2 G2 ef |
  g2 ed ed B2 | BABG E2 DE | GABd eged | B2 A2 A2 DE |
  G2 DE GDEG | DEGA B2 AB | g2 ed edBA | B2 G2 G4 ||

%%%%  A composed "Shetland" tune.  Easy to play!

X:8
T:Scollay's Reel 
C:Trad.(from Vt.)
M:4/4
L:1/8
Q:1/2=116
K:Em 
 |: E2 EF G2 A2 | BcBA GFGA | B2 E2 E2 G2 | FGAF D2 F2 | 
     E2 EF G2 A2 | BABd e2 d2 | B2 Bc BAGF | G2 E2 E4 :|| 
 |:  efge B2 B2 | g2 g2 B2 B2 | c2 BA G2 G2 | FGAF D2 F2 |
     E2 EF G2 A2 | BABd e2 d2 | B2 Bc BAGF | G2 E2 E4 :|| 

%%%%  An old standby, from memory, and originally from a 
%%%%  little-known songbook from a Vermont dance camp.

%%%%  See Chorus.abc for notes on construction

X:9
T:Old Joe
C:Trad, Am. (after CW)  
M:4/4
L:1/8
Q:1/2=116
K:C
|: c3 d cAG2 | AGAB cBcd | eg2 g-g4  | agab aged |
 c3 d cAG2 | AGAB cBcd | eg2a g2 ag | edcA c4 :||
|: A,4 C3D | EDCE DCA,G, | A,2 A,2 C2 D2 | EDC2 D4 | 
A,2 A,2 C2 D2 | EDCE DCA,G, | C2 c2-c A GF | ECDB, C4 :||

%%%%  Taken from Rodney Miller's Airplang, revised by CW.
%%%%  -- eric  10/02/00

%%%%  Switches to Am in the second turn.

%%%%  See Chorus.abc for notes on construction

X:10
T:The Old Grey Cat
C:Trad, Sc.  (from M.V-E.)
R:reel
M:C|
L:1/8
Q:1/2=116
K:Em
 ^d2 |: "Em" e2 e2 E3 F | GFGA BABc d2 d2 | D3 E FAdB AFED | 
 e2 e2 E3 F | GFGA BABc | dcBA BAGF | G2 E2 E4 :||
 ed |: B2 e2 e3 d | Bdef gfeB | A2 d2 d3 B | ABde fedf |
 e2 B2 g2 B2 | a2 B2 b3 a | gfed BAB^d | e4 e4 :||

%%%% The d#s are my own, after Erin Shrader's playing.
%%%% They underscore the imperative to 
%%%% play a B7 at this point, *not* a Bm.

X:11
T:Chorus Jig
C:Trad, Eng.  
M:4/4
L:1/8
Q:1/2=112
K:D 
P:A
 AG |: F2 DF ABAG | FADF  A2 d2 | D3 F ABAF |1 GFEF  G2 AG :|2 GFEF G2 B=c |
K: G 
P:B
dBcA BGFG | Ad^cd A2 Bc | dBcA  BGFG | AcBA G2 Bc |
dBcA BGFG | ABcd efge | dBcA BGFG | AcBA G2 ag |
K: D 
P:C
|: fddd fddd | fefg a2 ag | fddd fddd |1 =cdef g2 ag :|2 =cdef g2 B=c |
K: G 
P:D
dBcA BGFG | Ad^cd A2 Bc | dBcA  BGFG | AcBA G2 Bc |
dBcA BGFG | ABcd efge | dBcA BGFG | AcBA G4 ||

%%%%  Adapted from memory.  Four-part tune.
%%%%  The pickup notes going into the A part are crucial.
%%%%  -- eric  10/02/00

%%%%  NOTES on construction:

%%%%  line spacing corresponds to staff lines
%%%%  spacing between note letters corresponds to bars
%%%%  accidentals:  ^, =, _
%%%%  - is a tie or slur

%%%%  X == ??
%%%%  T == title
%%%%  C == copyright or author
%%%%  M == meter
%%%%  L == length of shortest note (count of one)
%%%%  Q == tempo
%%%%  -- yaps wants M,L,Q in that precise order
%%%%  K == key

%%%%  Getting the key signature switch right is a pain.
%%%%  The new key signature must be on a  line by itself,
%%%%  the next measure must start with a bar, 	
%%%%  and the preceding line cannot close with a double bar.
%%%%  Or, embed the key signature with backslashes.

X:12
T:Petronella
C:Trad, Eng.  
M:4/4
L:1/8
Q:1/2=116
K:D 
 |: F2 AF E2 AF | D2 D2 D2 FA | d2 cd e2 d2 | cdBc A2 dA |
  F2 AF E2 AF | D2 D2 D2 FA | d2 cd e2 c2 | d4 d4 :||
  AF | D2 fd A2 af | gagf edcB | A2 ec A2 ge |  fafd AdAF |
 D2 fd A2 af | gagf edcB | A2 ec Agec | d2 f2 d4 :||

%%%%  An old standby, from memory.

%%%%  See Chorus.abc for notes on construction